Spiritual Views in Emersons The Poet Essay -- Emerson Poet Essays

Spiritual Views in Emerson's The Poet Transcendental, and therefore pantheist, views run fluidly throughout Emerson's texts, especially as he attempts to define his image of the perfect poet in his essay, The Poet. He continually uses religious terms to express his feelings, but warps these terms to fit his own unique spirituality. This technique somewhat helps to define his specific religious views which mirror the view of transcendentalism and pantheism. Emerson's ideal poet is a pantheist who can express the symbols of the world through words. Emerson begins the essay by explaining that many people are taught "rules and particulars" to decide what is good art, and therefore deem themselves worthy critics although they have no feeling for art in their soul. He states that intellectual men, perhaps the cold Unitarians from which he broke away, theologians, and modern 'poets' do not acknowledge a relationship between the physical world and the mind and then praises the "highest minds" (such as Swedenborg, Plato and Heraclitus) who instead examine everything to its fullest manifold meaning. I find it interesting that in the lines "We were put into our bodies, as fire is put into a pan" and we are "but children of the fire, made of it, and only the same divinity transmuted, and at two or three removes, when we know least about it" that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximander's concept of 'apeiron.' Emerson here shows his pantheistic view that we have all come from the same divine 'stuff,' and being "two or three removes" away from its Godly source, we are unable on a basic level to fully comprehend it. This is also remin... ...his ideal poet, and in doing shows that he feels the "poet is representative," both in using words as representative symbols and as a representative of life itself. The ideal poet becomes a portrait of a man incredibly close to nature, and therefore close to Emerson's view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of 'God's Reality,' bringing back with him carefully sculpted words for man-kind's consumption in an effort to help man-kind better understand life and the world in which it is lived. Works Cited Emerson, Ralph Waldo. "The Poet." The Heath Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. New York: Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York: Modern Library, 1950. Spiritual Views in Emerson's The Poet Essay -- Emerson Poet Essays Spiritual Views in Emerson's The Poet Transcendental, and therefore pantheist, views run fluidly throughout Emerson's texts, especially as he attempts to define his image of the perfect poet in his essay, The Poet. He continually uses religious terms to express his feelings, but warps these terms to fit his own unique spirituality. This technique somewhat helps to define his specific religious views which mirror the view of transcendentalism and pantheism. Emerson's ideal poet is a pantheist who can express the symbols of the world through words. Emerson begins the essay by explaining that many people are taught "rules and particulars" to decide what is good art, and therefore deem themselves worthy critics although they have no feeling for art in their soul. He states that intellectual men, perhaps the cold Unitarians from which he broke away, theologians, and modern 'poets' do not acknowledge a relationship between the physical world and the mind and then praises the "highest minds" (such as Swedenborg, Plato and Heraclitus) who instead examine everything to its fullest manifold meaning. I find it interesting that in the lines "We were put into our bodies, as fire is put into a pan" and we are "but children of the fire, made of it, and only the same divinity transmuted, and at two or three removes, when we know least about it" that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximander's concept of 'apeiron.' Emerson here shows his pantheistic view that we have all come from the same divine 'stuff,' and being "two or three removes" away from its Godly source, we are unable on a basic level to fully comprehend it. This is also remin... ...his ideal poet, and in doing shows that he feels the "poet is representative," both in using words as representative symbols and as a representative of life itself. The ideal poet becomes a portrait of a man incredibly close to nature, and therefore close to Emerson's view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of 'God's Reality,' bringing back with him carefully sculpted words for man-kind's consumption in an effort to help man-kind better understand life and the world in which it is lived. Works Cited Emerson, Ralph Waldo. "The Poet." The Heath Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. New York: Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York: Modern Library, 1950.